Auditions
Current Audition Opportunities
The following auditions have opportunities for performers ages 14-22
TS3 Special Event
SIX: The Musical
Teen Edition
By Toby Marlow & Lucy Moss
-
WHEN:
Registration Deadline - Monday, May 12
Audition - Monday May 19, 6:30pm
Callbacks- Tuesday, May 20 6:30pm
WHERE:Cain Center for the Arts / 21348 Catawba Ave, Cornelius, NC 28031
WHAT:Vocals: Prepare 16-32 bars of a rock or contemporary musical theatre song that best showcases your vocal talents. Please bring piano sheet music in the correct key. An accompanist will be provided. A capella is not encouraged.
Dance: You will be emailed a recording of a short dance routine, after registration closes on May 12th. You will need to learn this routine on your own. The audition will consist of a dance review and will then be performed in groups, so please dress comfortably and be prepared to move.
HOW:Registration for both productions is required at the link below, no later than May 12th.
If unavailable for the May 19th audition, fill out the registration form and note that you’re unavailable. Your video submission should then be sent to Education Director, Katie Mullis at katie@davidsoncommunityplayers.org *Deadline May 18*
Keep reading to find out more about both opportunities!
-
Rehearsals will begin end of May and be based off the 6 cast member’s availability with performances running July 10-20th
All performances will take place at the Armour Street Theatre in Davidson
This production will be directed and choreographed by Katie Mullis.
As a part of our Education Programming, there is a production participation fee that will be noted on our website before auditions. Need-based financial aid is available.
-
A full-length adaptation of Toby Marlow and Lucy Moss’ international phenomenon SIX, modified for performance by teen actors for family audiences!
Divorced, beheaded, died, divorced, beheaded, survived. From Tudor Queens to Pop Icons, the SIX wives of Henry VIII take the mic to remix five hundred years of historical heartbreak into a Euphoric Celebration of 21st-century girl power! This new original musical is the global sensation that everyone is losing their head over.
-
ALL ROLES AVAILABLE
PLEASE NOTE: At its heart, SIX is about celebrating the talent and individuality of the women and non-binary people onstage. The Queens should therefore be played by people who feel on a personal level that this is their story to tell.
CATHERINE OF ARAGON – A real badass monarch. Commanding, sure of herself, bold. She lights up the room. (Range: Ab3-Eb5)
ANNE BOLEYN – Fun-loving, always up for a laugh. Never takes anything too seriously, but at the same time lives for the drama. Some have described her as a “chaos goblin.” (Range: C4-E5)
JANE SEYMOUR – Kind and sincere. Loves a dad joke, but no one is ever impressed with Jane’s attempts at comedy. (Range: A3-D5)
ANNA OF CLEVES – Savvy, loves her life, won history and no one even knows it. Cleves is here for a good time. (Range: G3-B4)
KATHERINE HOWARD – Super smart with a wicked sense of humor. Remembered as “the promiscuous one” – but she is SO much more than that. (Range: A3-F#5)
CATHERINE PARR – Grounded, thoughtful and warm. Loves the other queens. A champion of female empowerment. (Range: A3-E5)
-
(Registration closes May 12)
TS3 Presents
JESUS CHRIST SUPERSTAR
Music by Andrew Lloyd Webber
Lyrics by Tim Rice
-
WHEN:
Registration Deadline - Monday, May 12
Audition - Monday May 19, 6:30pm
Callbacks- Tuesday, May 20 6:30pm
WHERE:Cain Center for the Arts / 21348 Catawba Ave, Cornelius, NC 28031
WHAT:Vocals: Prepare 16-32 bars of a rock or contemporary musical theatre song that best showcases your vocal talents. Please bring piano sheet music in the correct key. An accompanist will be provided. A capella is not encouraged.
Dance: You will be emailed a recording of a short dance routine, after registration closes on May 12th. You will need to learn this routine on your own. The audition will consist of a dance review and will then be performed in groups, so please dress comfortably and be prepared to move.
HOW:Registration for both productions is required at the link below, no later than May 12th.
If unavailable for the May 19th audition, fill out the registration form and note that you’re unavailable. Your video submission should then be sent to Education Director, Katie Mullis at katie@davidsoncommunityplayers.org *Deadline May 18*
Keep reading to find out more about both opportunities!
-
Rehearsals will begin on July 21 with performances running August 7-10th
The majority of rehearsals will take place Monday through Friday from 9:00-4:00pm, July 28- Aug 7
Some solo rehearsals may be held earlier in July and will be coordinated based on the availability of the actor.
All rehearsals and performances will take place at the Cain Center for the Arts in Cornelius.
This production will be directed by Chip Decker with musical direction by Vicki Harvell and choreography by Hannah Martin.
As a part of our Education Programming, there is a production participation fee of $350 for leads and $300 for ensemble members. Need-based financial aid is available.
-
JESUS CHRIST SUPERSTAR
Lyrics by Tim Rice
Music by Andrew Lloyd WebberFollowing the sold-out success of Footloose at the Cain Center, this year’s TS3: Teen Summer Stock Series production will be the legendary head banging musical told through Judas Iscariot’s eyes. The region’s most talented high school and college actors are ready to rock out to one of the world’s oldest stories!
-
ALL ROLES AVAILABLE
Ages 14-22 may audition.
PLEASE NOTE: All actors are encouraged to audition for any role they feel they can fully embrace, regardless of traditional casting or gender.
Jesus Christ (Rock Tenor, G2–B4)
The central figure, depicted as both divine and human, struggling with the weight of his mission and the expectations placed upon him. He is a charismatic leader yet deeply introspective, wrestling with his impending fate.Judas Iscariot (Rock Tenor, D3–D5)
One of Jesus’ twelve apostles, torn between his loyalty to Jesus and his growing belief that Jesus’ actions are endangering their cause. Judas is passionate, conflicted, and ultimately tragic, with some of the most demanding rock vocals in the show.Mary Magdalene (Mezzo-Soprano, F3–E♭5)
A follower of Jesus who has developed a deep, complicated affection for him. Mary is gentle, compassionate, and emotionally open, with a famous solo, “I Don’t Know How to Love Him,” that reveals her inner turmoil.Peter (Baritone, G2–G4)
One of Jesus’ apostles, known for his loyalty yet quick to deny Jesus when faced with danger. Peter has a heartfelt solo in “Could We Start Again Please?”Simon Zealotes (Tenor, G3–B4)
An apostle who urges Jesus to take a more radical stance and lead a rebellion against the Romans. His energetic number, “Simon Zealotes,” reflects his revolutionary zeal. Strong dancer.The Soul Girls (Mezzo-Soprano/Alto)
Three female vocalists who function like a Greek chorus, adding commentary through soulful harmonies and backing vocals. They bring a contemporary flair to the score.The Apostles (Various ranges)
Followers of Jesus who grapple with fear, faith, and their shifting loyalty as events unfold.The Priests and Soldiers (Various ranges)
Supporting Caiaphas and Annas, they represent religious and Roman authority, adding to the show’s intensity and dramatic stakes.The Crowd/Ensemble (Various ranges)
The ever-present voice of the people, shifting from adoring fans of Jesus to an angry mob demanding his crucifixion. Their changing attitude underscores the theme of fame and betrayal. -
(Registration closes May 12)
AUDITION WITH DCP
Join Us On Stage
DCP is a place where you in the audience can also have the chance to be on stage. Acting with DCP is largely volunteer-based, though financial assistance and actor stipends may be available depending on the show’s needs.
About Auditioning
DCP encourages everyone to audition for a show regardless of your acting experience. We want you to feel comfortable at auditions, and we strive to make this a rewarding experience for everyone.
In order to provide you with the best audition experience possible, we have compiled a few helpful hints and bits of information about the audition and rehearsal process.
-
Read over the audition notice thoroughly. The audition information will provide details about character description, audition requirements, and general information about the rehearsal schedule.
Read the script and/or research the play. For non-musicals, directors generally ask for cold readings from sides, which are scene selections from the script, so familiarity with the script is certainly beneficial.
If you are auditioning for a musical, you will be asked to perform a song of your choice as well as participating in a group dance audition. You will need to provide sheet music for the accompanist at the audition. Choose a song that showcases your voice. Read the audition notice carefully to see if there is a particular style of song requested by the director. DCP offers musical theatre audition workshops, which are a great way to prepare for auditions!
Update your resume and headshot. Your resume should include your theatre and/or performance experience, if any. If you have special skills or training that is relevant to theatre, please list on the resume. Your headshot does not need to be professional; however, it is suggested that it be a recent photograph.
Pre-register for the audition if instructed to do so.
-
Depending on the director, auditions may be run by appointment or as large group blocks.
For a non-musical, you will be asked to do cold readings with others who are auditioning.
For musicals, you will be asked to perform your musical selection and then learn and present a dance sequence. The director may ask you to do a cold reading as well.
If you are auditioning for a Connie Company production, you may be asked to participate in theatre games and improvisations.
-
Some directors will schedule a “callback,” or second round of auditions. You will be notified by phone or email if you have been invited to a callback. Being called back does not mean you are cast in the production and likewise NOT being called back doesn’t mean that you are NOT cast in the production.
Casting the show is the responsibility of the director and, in the case of a musical, the music director.
Casting offers will be made by phone or email. After the cast is confirmed, the cast list will be posted publicly. DCP will send out notices to those who are not cast via email.
-
Rehearsal schedules are variable, and we try to alternate schedules to provide accessible options to folks with all sorts of work and personal commitments. In general, plays rehearse 6 weeks and musicals 8-10 weeks. The director and stage manager will provide a rehearsal schedule ASAP following casting.
Actors are expected to disclose all conflicts prior to casting. No conflicts will be honored during tech week or performance weeks.
-
For both professional and amateur actors, the results of an audition are largely out of your control. Directors must balance countless factors before defining a cast, and the strength of your audition is only one element.
So, do your best, have fun, and if you aren’t cast, don’t be discouraged. Come back next time!
NON-DISCRIMINATION POLICY:
All roles, unless otherwise announced, are open. DCP encourages anyone who is interested to audition and we are always eager to welcome new faces and fresh talent to our stage. Except as specifically required by the playwright for certain roles, DCP provides equal opportunity to all individuals regardless of race, color, religion, gender identity or expression, sexual orientation, age, disability, or any other characteristic protected by law.